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C-stand – Originally known as a century-stand, it is designed to take up very little space and is generally made up of four parts, including the base, a vertical leg with multiple stands, a gobo head and a gobo arm. One of the most common pieces of equipment on a film set, it can hold a variety of reflectors, lights, show cards or boom ...
The camera is mounted to the dolly and the camera operator and focus puller or camera assistant usually ride on the dolly to push the dolly back and forth. The camera dolly is generally used to produce images which involve moving the camera toward or away from a subject while a take is being recorded, a technique known as a "dolly shot".
Hardware and software ("firmware"), built into the camera, measures luminance of the subject and automatically sets shutter speed, lens aperture or sensitivity; this also allows the camera to set the aperture for manual lenses fixed with an AE chip. [4] AE-L or AEL: Automatic exposure lock. Technology for holding an exposure setting from one ...
Stand-ins are distinguished from doubles, who replace actors on camera from behind, in makeup, or during dangerous stunts. Stand-ins do not appear on camera. However, on some productions the jobs of stand-in and double may be done by the same person. In rare cases, a stand-in will appear on screen, sometimes as an in-joke.
A key component was a single camera-recorder unit, eliminating a cable between the camera and recorder and increasing the camera operator's freedom. The Betacam used the same cassette format (0.5 inches or 1.3 centimetres tape) as the Betamax, but with a different, incompatible recording format. It became standard equipment for broadcast news. [4]
A tripod head is the part of a tripod system that attaches the supported device (such as a camera) to the tripod legs, and allows the orientation of the device to be manipulated or locked down. Modular or stand-alone tripod heads can be used on a wide range of tripods, allowing the user to choose which type of head best suits their needs.