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The discography of Australian rock band Spiderbait consists of seven studio albums, three compilations, two EPs, and twenty-four singles. Studio albums.
The album title refers to a then-unfinished project by the Finley community, [2] an artificially-made lake included a replica sailing ship. [14] Spiderbait played to predominantly under-18 audiences. [4] At the ARIA Music Awards of 1996, the album received two nominations: 'Best Alternative Release', and 'Best Cover Art' for English and George ...
Spiderbait is the seventh studio album by Australian rock band Spiderbait. Released in 2013, it was the band's first album since 2005's Greatest Hits compilation, ...
Greatest Hits is a greatest hits album by Australian rock band Spiderbait. The band decided to put out the compilation after discovering newer fans had not been aware of Spiderbait before "Black Betty". "We'd talk to these excited kids who didn't know our previous albums," recalls Kram. "It was like Tonight Alright was our debut album in some ...
Tonight Alright is the sixth studio album by Australian alternative rock band Spiderbait, released on 28 March 2004 through Universal Music Australia. It was primarily recorded in Weed, California, by producer Sylvia Massy. It peaked at number 14 on the ARIA Albums Chart and was certified gold.
In 2004, Australian alternative rock band Spiderbait released a version of "Black Betty" as the lead single from their sixth studio album, Tonight Alright, on March 15. Produced by Sylvia Massy , this version is a slightly faster re-working of Ram Jam's hard rock arrangement.
Ivy and the Big Apples is the third studio album by Australian rock band Spiderbait. It became a double platinum-selling record that reached the top 10 of the albums chart in Australia and won the 1997 ARIA Award for Best Alternative Release. [2] It features the single "Buy Me a Pony", which was voted in at number one on the Triple J Hottest ...
Grand Slam is the fourth studio album by Australian rock band Spiderbait. The album marked a significant change in sound for the band, with many of the songs being heavily produced pop sung by bassist Janet English. The remainder of the album is a mix of alternative rock (sung, as on previous albums, by drummer Kram) and electronica.