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Medieval aesthetics refers to the general philosophy of beauty during the Medieval period.Although Aesthetics did not exist as a field of study during the Middle Ages, influential thinkers active during the period did discuss the nature of beauty and thus an understanding of medieval aesthetics can be obtained from their writings.
The Middle Ages in art: a Pre-Raphaelite painting of a knight and a mythical seductress, the lamia (Lamia by John William Waterhouse, 1905). Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles ...
For Arthur Schopenhauer aesthetic contemplation of beauty is the most free that the pure intellect can be from the dictates of will; here we contemplate perfection of form without any kind of worldly agenda, and thus any intrusion of utility or politics would ruin the point of the beauty.
Its critics saw this type of Medieval art as unrefined and too remote from the aesthetic proportions and shapes of Classical art. [5] Renaissance authors believed that the Sack of Rome by the Gothic tribes in 410 had triggered the demise of the Classical world and all the values they held dear.
| ascribed to = ascribed author, if the case for authorship rests on a medieval authority, but is not universally acknowledged by modern scholars. | compiled by = the medieval person (often a scribe or the scribe's master) responsible for compiling and arranging the text | illustrated by = medieval illustrator.
This in turn led to the rise of Romanesque art in the 11th century. In the outline of Medieval art it was preceded by what is commonly called the Migration Period art of the "barbarian" peoples: Hiberno-Saxon in the British Isles and predominantly Merovingian on the Continent.