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For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
Marble mis-nomers: Cetechovice marble (cetechovický mramor) from Cetechovice, Kroměříž District: coloured [c] Karlík marble (karlický mramor), from Barrandien, Karlík, Prague-West District: black with gold-yellow-colour veins [d] Podol marble (Podolský mramor), from Vápenný Podol, Chrudim District: white, grey-white, rosy [e]
The ceinture or belt around the edge of the table was richly ornamented with sculptural decoration, which often cascaded downwards. [5] The console was a particular type of table made to stand against a wall; it usually had a plaque of marble on top, and was richly ornamented, but only on side facing the room.
A picture of Ecton Hill made using Ashford Black Marble A picture of Matlock Bath engraved using Ashford Black Marble by Ann Rayner. Ashford Black Marble is the name given to a dark limestone, quarried from mines near Ashford-in-the-Water, in Derbyshire, England. Once cut, turned and polished, its shiny black surface is highly decorative.
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
The basic forms of writing table, the drop-front desk and cylinder desk had all appeared in the furniture of Louis XV, but their appearance became more classical, geometric and sober under Louis XVI, and the quality marquetry inlays became much finer. The writing tables varied in size, but had leather tops, tapering legs, and usually three drawers.
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