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Sidesaddle riding is a form of equestrianism that uses a type of saddle which allows riders, generally female, to sit aside rather than astride an equine. Sitting aside dates back to antiquity and developed in European countries in the Middle Ages as a way for women in skirts to ride a horse in a modest fashion while also wearing fine clothing ...
Horse and saddle, Tang dynasty. The equine image was common in ancient Egyptian and Grecian art, more refined images displaying greater knowledge of equine anatomy appeared in Classical Greece and later Roman work. [3] Horse-drawn chariots were commonly depicted in ancient works, for example on the Standard of Ur circa 2500BC.
High-stepping action is typical of the Saddlebred, as seen in this "five-gaited" horse, performing the rack.. American Saddlebreds stand 15 to 17 hands (60 to 68 inches, 152 to 173 cm) high, [1] averaging 15 to 16 hands (60 to 64 inches, 152 to 163 cm), [2] and weigh between 1,000 and 1,200 pounds (450 and 540 kg).
Standing with folded arms; Standing contrapposto, with most of the weight on one foot so that its shoulders and arms twist off-axis from the hips and legs in the axial plane; Standing at attention, upright with an assertive and correct posture: "chin up, chest out, shoulders back, stomach in", arms at the side, heels together, toes apart
La Femme au Cheval is an oil painting on canvas with dimensions 162 × 130.5 cm (63.8 × 51.4 in). As the title indicates the painting represents a woman and a horse. The rather elegant woman wearing only a pearl necklace and the horse are immersed in a landscape with trees and a window (in the 'background'), a vase, with fruits and vegetation (in the 'foreground') clearly taken from the ...
La Scapigliata (Italian for 'The Lady with Dishevelled Hair') [n 1] is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil , umber , and white lead pigments on a small poplar wood panel , its attribution remains controversial, with several experts ...
This image is the same size as the famous painting. The pose of Florentine was reused by Eckersberg years later in July 1850, in a drawing using pencil and sepia and titled Standing model doing her hair. The female model stands in contrapposto with her right hand holding her hair as in the oil painting from 1841.
On horses, the mane is the hair that grows from the top of the neck of a horse or other equine, reaching from the poll to the withers, and includes the forelock or foretop. [ 1 ] [ 2 ] : 247 [ 3 ] : 311 It is thicker and coarser than the rest of the horse's coat, and naturally grows to roughly cover the neck.