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The Pacific Film Archive (PFA) was founded by Sheldon Renan, who began screening films on the UC campus in 1966 and was appointed Director of the new PFA in 1967. [20] [21] The PFA specializes in programming films "in a theoretical or critical context—exploring, for example, film noir in the context of the post-war ethos."
Often, a country has its own film archive to preserve the national audiovisual heritage. The International Federation of Film Archives comprises more than 150 institutions in over 77 countries and the Association of European Film Archives and Cinematheques is an affiliation of 49 European national and regional film archives founded in 1991.
CineFiles is a database of digitized film documents, containing more than 50,000 documents on film history, compiled at the Berkeley Art Museum and Pacific Film Archive, at the University of California, Berkeley, and supported by the Museum Informatics Project.
Pacific Title Archives is an American company founded in 1935 by Pacific Title & Art Studio as a film storage and archiving company. [1] Pacific Title & Art was sold in 2007 for US$23 million, [2] after which it "ran into hard times." The 90-year-old company went into receivership and was expected to be liquidated. [3]
In April 2018, the Berkeley Art Museum and Pacific Film Archive (BAMPFA) accepted two of Frank's oil paintings into their permanent collection: Mariah (1977), and Patti Smith (1979). [36] [37] In 2019, a collection of Frank Moore's work was archived at the Performistanbul Live Art Research Space in Istanbul, Turkey. [38] [39]
Lusztig's films have screened around the world, including in the Film Society of Lincoln Center, [25] Anthology Film Archives, [26] the Pacific Film Archive, [27] BFI London Film Festival, [28] Hot Docs, [29] AFI Docs, [30] Melbourne International Film Festival, [31] and RIDM Montréal.
United States National Film Registry films (1 C, 880 P) Pages in category "Film archives in the United States" The following 51 pages are in this category, out of 51 total.
The film was made in 16mm film, is 22 minutes long, and has been preserved by the Pacific Film Archive at University of California, Berkeley. [2] [3] Stauffacher was assisted by Hy Hirsh, Allon Schoener, Herb Gleitz, and Gene Tepper. The film was co-produced by Stauffacher, the SF Maritime Museum, and the California Historical Society.