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Katy Perry made her album Teenage Dream [Deluxe Edition] smell like cotton candy through scratch and sniff technology. In the Pushing Daisies episode "The Smell of Success", olfactory scientist Napoleon LeNez has written a scratch and sniff book for using odours to bring success in the life of the reader. The protagonists investigate a ...
Brunost (lit. ' brown cheese ' ) is a common Norwegian name for mysost ( lit. ' whey cheese ' ; Danish : myseost ; Swedish : mesost ; Finnish : mesjuusto ; Icelandic : mysuostur / mysingur ), a family of soft cheese -related foods made with whey , milk , and/or cream .
Minecraft – Volume Alpha is the first soundtrack album by the German electronic musician Daniel Rosenfeld, known by his pseudonym C418. Created for the 2011 video game Minecraft , it is the first of two albums by Rosenfeld to come from the game's soundtrack .
The songs of this album were created and used as a soundtrack for an informative talk given at the Game Developers Conference 2017 by Teddy Dief. [44] On 16 July 2018, three new songs from C418 were added to the game for "Update Aquatic". [45] It marked the first new contributions from Rosenfeld to Minecraft since Minecraft - Volume Beta in ...
The Bippolo Seed and Other Lost Stories is a collection of seven illustrated stories by children's author Dr. Seuss published by Random House on September 27, 2011. Though they were originally published in magazines in the early 1950s, they had never been published in book form and are quite rare, described by the publisher as "the literary equivalent of buried treasure". [1]
But Wild God, his 18th album with The Bad Seeds, feels more like a baptism: an ecstatic immersion in the rushing, pooling waters of love and loss that the sexagenarian artist has experienced since ...
The Strange Idols Pattern and Other Short Stories is the third album by English alternative rock band Felt, released in 1984 and produced by John Leckie.The album marked a departure from the introspective, guitar-led sound of their first two albums, with Lawrence's vocals becoming much more dominant in the mix along with a greater emphasis on pop melodies.
In the book Four Ways of Hearing Video Game Music, Michiel Kamp wrote that the sandbox nature of Minecraft also applied to its music, believing the randomness of how the soundtrack is presented would lead to what he viewed as the game creating unique, personalized moments that weren't intentional. [42]