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The institution of the Eucharist at the Last Supper is remembered by Roman Catholics as one of the Luminous Mysteries of the Rosary, the First Station of a so-called New Way of the Cross and by Christians as the "inauguration of the New Covenant", mentioned by the prophet Jeremiah, fulfilled at the last supper when Jesus "took bread, and after ...
The second scene shows the institution of the Eucharist, which may be shown as either the moment of the consecration of the bread and wine, with all still seated, or their distribution in the first Holy Communion, technically known in art history as the Communion of the Apostles (though in depictions set at the table the distinction is often ...
The Communion of the Apostles, or Institution of the Eucharist is a painting of the Last Supper by Federico Barocci located at Santa Maria sopra Minerva in Rome. It was commissioned for the family chapel of Pope Clement VIII Aldobrandini and completed between 1603 and 1608.
The Eucharist displayed in a monstrance, flanked by candles. Eucharistic adoration is a practice in the Latin Church, Anglo-Catholic and some Lutheran traditions, in which the Blessed Sacrament is exposed to and adored by the faithful. When this exposure and adoration is constant (twenty-four hours a day), it is called "Perpetual Adoration".
Eucharist (Koinē Greek: εὐχαριστία, romanized: eucharistía, lit. 'thanksgiving') [1] is the name that Catholic Christians give to the sacrament by which, according to their belief, the body and blood of Christ are present in the bread and wine consecrated during the Catholic eucharistic liturgy, generally known as the Mass. [2]
However, groups authorized by the Catholic Church to review the Qurbana recognized the validity of this eucharistic celebration in its original form, without explicit mention of the Words of Institution, saying that "the words of Eucharistic Institution are indeed present in the Anaphora of Addai and Mari, not in a coherent narrative way and ad ...
The Institution of the Eucharist or Communion of the Apostles is a 1472–1474 tempera on panel painting by Justus van Gent. Commissioned as an altarpiece, it post-dates its 1460s predella, The Miracle of the Desecrated Host by Paolo Uccello. Both Institution and Miracle are now in the Galleria nazionale delle Marche in Urbino.
The Eucharist Triptych is an oil on panel painting by Grégoire Guérard, from 1515, commissioned for Autun Cathedral. The central panel shows the Last Supper, with the wings showing Abram meeting Melchizedek and the fall of the manna. On the reverse of the wings are grisaille images of the Madonna and Child and of John the Baptist.