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The music of Eritrea, is a diverse mix of traditional and popular styles originating from ancient to modern times.The nine major ethnic groups of Eritrea—Afar, Bilen, Hedareb, Kunama, Nara, Rashaida, Saho, Tigre and Tigrinya—celebrate autonomous music-making expressed through a rich heritage of vocalists, instrumentalists and activities within the country and throughout the international ...
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An Eritrean krar and masinqo is a common instruments in Eritrea. Eritrea has nine ethnic groups, each of which have their own different styles of music and accompanying dances. A common instrument used by many of the communities is the drum. Amongst the Tigray-Tigrinya, the best known traditional musical genre is called guaila.
Krar (Geʽez: ክራር) is a five-or-six stringed bowl-shaped lyre from Ethiopia and Eritrea. It is tuned to a pentatonic scale. A modern Krar may be amplified, much in the same way as an electric guitar or violin. The Krar, along with Masenqo and the Washint, is one of the most widespread musical instruments in Northern Ethiopia and Eritrea. [1]
Tsehaytu Beraki was born in 1939, in the small town of Quatit. [1] She had thought that she was born in Eritrea's capital city Asmara, but in fact only moved there as a baby.
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Music of Eritrea; E. Eritrea, Eritrea, Eritrea This page was last edited on 22 April 2024, at 21:40 (UTC). Text is available under the Creative Commons ...
This is a non-diffusing parent category of Category:21st-century Eritrean male musicians and Category:21st-century Eritrean women musicians The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.