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"Overture" is a song by English rock band the Who, written by Pete Townshend. The track is one of three instrumental tracks on Tommy , the other two being "Underture" and "Sparks". On 9 October 1970, the song was included as the B-side of "See Me, Feel Me" – which did not chart – and was titled "Overture from Tommy".
Tommy Tallarico (born 1967 or 1968) [1] is an American video game music composer, sound designer, and television producer. Since the 1990s, he has helmed audio production for numerous video games through his self-titled company. [ 2 ]
The soundtrack was used in the 1975 Tommy film that was based on the original album that was released by The Who in 1969. Pete Townshend oversaw the production of this double-LP recording that returned the music to its rock roots, and on which the unrecorded orchestral arrangements he had envisaged for the original Tommy LP were realised by the ...
The Assembled Multitude was an instrumental ensemble, consisting entirely of studio musicians, which music producer Tom Sellers organized in Philadelphia, Pennsylvania in 1970.
Stage Left, Lee sings part of a nursery rhyme over "Danforth and Pape" (the liner notes include a translation of his words) and adds a short bass solo during "Monsters! (Reprise)." (Reprise)." During later tours, as documented on Rush in Rio and the Blu-ray release of R30 , a drum/bass vamp was inserted before "Strangiato Theme (Reprise)," over ...
Tommy is the fourth studio album by the English rock band the Who, released on 19 May 1969. [2] Written primarily by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of the fictional Tommy Walker and his path to becoming a spiritual leader and messianic figure.
Tommy stares into the mirror blankly as his mother tries desperately to reach him one last time, before smashing the mirror in a rage ("Smash the Mirror"). With the mirror in pieces, Tommy suddenly becomes fully lucid and interactive for the first time since the age of four, and he leaves home ("I'm Free"). Through 1961 to 1963, news of Tommy's ...
"Xanadu" is the first Rush song in which synthesizers play an integral part. Unlike the previous albums, 2112 and Caress of Steel, "Xanadu" uses both guitar and synthesizer effects. The song also marks Rush's clear foray into program music, although previous albums had displayed some elements of this. Subsequent albums during the late 1970s and ...