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In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece. The accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as piano, pipe organ, or guitar.
Franz Liszt composed about six dozen original songs with piano accompaniment. In most cases the lyrics were in German or French, but there are also some songs in Italian and in Hungarian. A single song, "Go not, happy day" after Alfred Tennyson, is in English. In several cases, Liszt took lyrics which were also set to music by Schumann ...
D 624, Eight Variations on a French Song in E minor for piano duet (1818, first published as Op. 10; 2 versions of the "Theme" are extant) D 812, Sonata in C major for piano duet, Grand Duo (1824, first published as Op. posth. 140) D 813, Eight Variations on an original theme in A ♭ major for piano duet (1824, first published as Op. 35)
song: voice and piano, from Salut d’Amour, Op. 12, adapted by Max Laistner [96] — Percy E. Pinkerton: Schott 1900 "The Pipes of Pan" song: voice and piano — Adrian Ross: Boosey 1901 "Always and Everywhere" song: voice and piano, from the Polish of Krasiński — F. H. Fortey [98] Boosey 1901 "Come, Gentle Night!" song: voice and piano ...
Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile: danceable (song) to be danced to Battaglia ...
"The Love Song of Har Dyal" KS 11 Soprano, piano 1901 1923 Verses by Rudyard Kipling [5] [18] "Love Verses from The Song of Solomon" Soloists, chorus, instrumental or piano accompaniment 1899–1931 1931 [5] [18] "Lullaby" from Tribute to Foster: Solo piano 1915 1917 [7] [18] "Marching Song of Democracy" (a) Chorus; orchestra, organ (b) Brass band
The French composer Emmanuel Chabrier (1841–1894) wrote music in many genres, including opera and operetta, piano, orchestral music, and songs with piano accompaniment. [1] The songs cover most of his creative years, from the early 1860s to 1890, when the illness which would kill him prevented much composition.
Op. 68, Album for the Young (Album für die Jugend) (1848) for piano; Op. 69, Romanzen volume I (6 songs for female chorus with piano ad lib) (1849) Op. 70, Adagio and Allegro for Horn and Piano (1849) (Schumann directed that the horn part could also be performed on violin or cello) Op. 71, Adventlied for soprano, chorus and orchestra (1848)