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The color temperature scale describes only the color of light emitted by a light source, which may actually be at a different (and often much lower) temperature. [1] [2] Color temperature has applications in lighting, [3] photography, [4] videography, [5] publishing, [6] manufacturing, [7] astrophysics, [8] and other fields.
Priest proposed to use "the scale of temperature as a scale for arranging the chromaticities of the several illuminants in a serial order". Over the next few years, Judd published three more significant papers: The first verified the findings of Priest, [7] Davis, [8] and Judd, [9] with a paper on sensitivity to change in color temperature. [11]
A list of standardized illuminants, their CIE chromaticity coordinates (x,y) of a perfectly reflecting (or transmitting) diffuser, and their correlated color temperatures (CCTs) are given below. The CIE chromaticity coordinates are given for both the 2 degree field of view (1931) and the 10 degree field of view (1964). [1]
Planckian locus in the CIE 1931 chromaticity diagram. In physics and color science, the Planckian locus or black body locus is the path or locus that the color of an incandescent black body would take in a particular chromaticity space as the blackbody temperature changes.
In astronomy, the color index is a simple numerical expression that determines the color of an object, which in the case of a star gives its temperature. The lower the color index, the more blue (or hotter) the object is. Conversely, the larger the color index, the more red (or cooler) the object is.
Color temperatures and example sources Temperature Source 1700 K Match flame, low pressure sodium lamps (LPS/SOX) 1850 K Candle flame, sunset/sunrise: 2400 K Standard incandescent lamps: 2550 K Soft white incandescent lamps 2700 K "Soft white" compact fluorescent and LED lamps 3000 K Warm white compact fluorescent and LED lamps 3200 K
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.
The even spacing of the isotherms on the locus implies that the mired scale is a better measure of perceptual color difference than the temperature scale. The range of isothermal color temperatures for both diagrams is from 1000 K (1000 MK −1) to 10 000 K (100 MK −1).