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  2. Steinberg Cubase - Wikipedia

    en.wikipedia.org/wiki/Steinberg_Cubase

    This version introduced VST 2.0, which allowed VST plugins to receive MIDI data from Cubase. [23] It also introduced the concept of VST instruments - earlier implementations of VST had been biased towards effects plugins - and included Neon, a free VST instrument. VST24 3.7 was the first sequencer ever to support VST instruments, as Steinberg ...

  3. Virtual Studio Technology - Wikipedia

    en.wikipedia.org/wiki/Virtual_Studio_Technology

    A free-software replacement was developed for LMMS that would be used later by other free-software projects. [7] [8] VST 3.0 came out in 2008. Changes included: [9] Audio Inputs for VST Instruments; Multiple MIDI inputs/outputs; Optional SKI (Steinberg Kernel Interface) integration; VST 3.5 came out in February 2011.

  4. Audio feedback - Wikipedia

    en.wikipedia.org/wiki/Audio_feedback

    Block diagram of the signal-flow for a common feedback loop [1]: 118 . Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation that may occur when an acoustic path exists between an audio output (for example, a loudspeaker) and its audio input (for example, a microphone or guitar pickup).

  5. Distortion (music) - Wikipedia

    en.wikipedia.org/wiki/Distortion_(music)

    The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.

  6. Ample line bundle - Wikipedia

    en.wikipedia.org/wiki/Ample_line_bundle

    A line bundle is semi-ample if some positive power of it is basepoint-free; semi-ampleness is a kind of "nonnegativity". More strongly, a line bundle on a complete variety X {\displaystyle X} is very ample if it has enough sections to give a closed immersion (or "embedding") of X {\displaystyle X} into a projective space.