Search results
Results From The WOW.Com Content Network
West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz ...
West Coast Swing is a slotted dance, which means that the steps of the dance are confined to an imaginary "slot" on the dance floor. For West Coast Swing, the slot is a long, thin, rectangular area whose length depends on the tempo of the music – it can be eight or nine feet long for slower songs, but will be shorter for faster music.
All crews later came together to dance for their respective regions, and Super Cr3w teamed up with Fanny Pak and Supreme Soul to represent the west coast. A total of 39 million votes were submitted and Super Cr3w were crowned the title of America's Best Dance Crew.
Beloved and influential acts such as the Dismemberment Plan and Cap'n Jazz are reuniting for ... hardcore and ’90s/00’s-era artists for its Oct. 10-13 debut at the Downtown Las Vegas ...
Together with the slot, it is the most distinguishing element of West Coast Swing when compared to other swing dances. In its standard form, the anchor step consists of three steps with the syncopated rhythm pattern “1-and-2” (counted, e.g., as “5-and-6” in 6-beat dance moves) and the general directions of steps “back, replace, back ...
West Coast Jazz in Hi-Fi" with Richie Kamuca (HiFi, 1957) reissued as "Jazz Erotica" The Fabulous Bill Holman (Coral, 1958) In a Jazz Orbit (Andex, 1958) Jive for Five with Mel Lewis (Andex, 1959) Bill Holman's Great Big Band (Capitol, 1960) The Bill Holman Band (JVC, 1987) Live at the Royal Palms Inn Vol. 7 with Conte Candoli (Woofy, 1994)
Musician, composer, and scholar Gunther Schuller asserted in one of his books, The Swing Era: The Development of Jazz, 1930–1945 (The History of Jazz, Vol. 2) that, "territory bands, by definition, were black. There were, of course, many white bands in the 'territories' but they tended to have the more lucrative and permanent jobs and ...
The quintet was notable for having cellist and pianist as the band's centerpiece, leading Collette to refer to Katz as "the first jazz cello player". [4] The group gained national prominence and became one of the most influential West Coast jazz bands, synonymous with the laidback "cool jazz" of the 1950s. [5]