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In particular, the edition by Kale includes the original in Sanskrit, a literal English translation, as well as an extensive commentary on the stylistic and historical aspects of the text. In her translation of the lipogrammatic chapter, Onians omits the labial roman letters 'b', 'm' and 'p'.
Dasharupakam (Daśarūpakam) is a treatise on the structure and rules (Lakshana or Prakarana grantha) for popular theatre and drama presentations of the time, written by Dhananjaya in the 10th century.
[9] [10] Some of the earliest-surviving fragments of Sanskrit drama date from c.200 BCE. [11] [12] The Mahābhāṣya by Patañjali contains the earliest reference to what may have been the seeds of classical Sanskrit drama. [5] This treatise on grammar from the 2nd century BCE provides a feasible date for the beginnings of theatre in India. [5]
[8] [9] [10] While most Sanskrit texts were composed in ancient India, others were composed in Central Asia, East Asia or Southeast Asia. Sanskrit literature is vast and includes Hindu texts, religious scripture, various forms of poetry (such as epic and lyric), drama and narrative prose. It also includes substantial works covering secular and ...
"Janani Janmabhūmishcha Swargādapi Garīyasī" (Devanagari: जननी जन्मभूमिश्च स्वर्गादपि गरीयसी; IAST ...
Smṛti (Sanskrit: स्मृति, IAST: smṛti, transl. 'what is remembered'), also spelled smriti, smruti, is a body of Hindu texts representing the remembered, written tradition in Hinduism, [1] rooted in or inspired by the Vedas. [2]
The Kavyadarsha was in ancient times translated into Kannada, Sinhala, Pali, Tamil and Tibetan, and perhaps even influenced Chinese regulated verse.It was widely quoted by premodern scholars of Sanskrit, including Appayya Dīkṣita (1520–1592); it was included almost in its entirety in the poetic treatises by King Bhoja of Dhār (r. 1011–1055).