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The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs; a wordless chorus joins in for the last reprise. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God.
The French school of spirituality was the principal devotional influence within the Catholic Church from ... meditation and imitation of the sentiments found in ...
Thaïs (French pronunciation:) is an opera, a comédie lyrique in three acts and seven tableaux, by Jules Massenet to a French libretto by Louis Gallet, based on the novel Thaïs by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sibyl Sanderson , for whom Massenet had ...
Quietism is the name given (especially in Catholic theology) to a set of contemplative practices that rose in popularity in France, Italy, and Spain during the late 1670s and 1680s, particularly associated with the writings of the Spanish mystic Miguel de Molinos (and subsequently François Malaval and Madame Guyon), and which were condemned as heresy by Pope Innocent XI in the papal bull ...
Cartesian Meditations: An Introduction to Phenomenology (French: Méditations cartésiennes: Introduction à la phénoménologie) is a book by the philosopher Edmund Husserl, based on four lectures he gave at the Sorbonne, in the Amphithéatre Descartes on February 23 and 25, 1929.
Meditations on First Philosophy, in which the existence of God and the immortality of the soul are demonstrated (Latin: Meditationes de Prima Philosophia, in qua Dei existentia et animæ immortalitas demonstratur), often called simply the Meditations, [1] is a philosophical treatise by René Descartes first published in Latin in 1641.