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The word “ashiko” is also traced to a word in the Yoruba language meaning either “drum” or (with tonal difference) "time-frame" or “freedom”. The drum has a long tradition in Yoruba culture, where the drum functioned in community celebrations, as well as a “talking drum”. Traditional ashikos were/are hand carved from a single ...
The "Ashiko" dance is chiefly performed by Christian people, and has only one kind of music, rather quicker than the "Sakara" . . . and resembles a fox-trot. No stringed instruments are employed, only drums and carpenter's saw, used occasionally to make a kind of noise on its sharp edge, as an embellishment to "Ashiko" drum music.
James Louis "J.J." Johnson – trombone (tracks 2, 4, 10) Stanley Turrentine – tenor saxophone (tracks 5, 8, 10–11) Maxine Roach – viola (tracks 2, 6) Babatunde Olatunji – Ngoma, Djembe, Ashiko & Shekere drums (track 7) Kehinde O'Uhuru – Ashiko drum (track 7) Sule O'Uhuru – Agogô bells, Djembe (track 7) Gordy Ryan – Jun-jun drum ...
Seal (sometimes referred to as Seal II to avoid confusion with the 1991 album of the same name) is the second eponymous studio album by British singer Seal. The album was released in 1994 on ZTT and Sire Records and features the worldwide smash hit single " Kiss from a Rose ".
A bougarabou (alternative spelling “Boucarabou”) is a set of drums commonly used in West Africa. The drums are single headed (cow skin), with an elongated goblet [ 1 ] or roughly conical shape, usually placed on a single stand, and most commonly played in sets of three to four.
Three kinds: a barrel drum, an hourglass drum and a goblet drum. Not pitched but tone can be changed with wax on drumhead Timbal: Brazil Unpitched 211.251.1 Membranophone Timbales: Cuba Unpitched 211.212.2 Membranophone Timpani: Pitched 211.11-922 Membranophone Also called kettle drums Tingsha: Tibet Unpitched 111.142 Idiophone Tom-tom drum ...
The album debuted at number one in the UK and went on to win Best British Album at the 1992 Brit Awards. Seal's following album, released in 1994, was also named Seal; it is usually referred to as Seal II. There are two versions of the album, with minor and major differences in three songs. [4]
This is a taut, muscular, cunning and perfectly executed record", giving further praise for the album's range, Glenn Danzig's "powerful vocal howl", and the band's "mastery of their own art". [22] Sounding a note of disappointment, Robert Christgau wrote in his review of the album that "Misfits fans had convinced me to hold out some hope for ...