Search results
Results From The WOW.Com Content Network
In Judaism, yetzer hara (Hebrew: יֵצֶר הַרַע , romanized: yēṣer haraʿ ) is a term for humankind's congenital inclination to do evil.The term is drawn from the phrase "the inclination of the heart of man is evil" (Biblical Hebrew: יֵצֶר לֵב הָאָדָם רַע, romanized: yetzer lev-ha-adam ra), which occurs twice at the beginning of the Torah (Genesis 6:5 and ...
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
The terminology included may relate to prehistoric art of the Jomon and Yayoi periods, Japanese Buddhist art, nihonga techniques using sumi and other pigments and dyes, various artisan crafts such as lacquerware techniques, katana and swordmaking, temple, shrine, and castle architecture, carpentry terms, words relating to kimono making industry ...
The Japanese terms for vertical (portrait) and horizontal (landscape) formats for images are tate-e (縦絵) and yoko-e (横絵), respectively. Below is a table of common Tokugawa-period print sizes. Sizes varied depending on the period, and those given are approximate they are based on the pre-printing paper sizes, and paper was often trimmed ...
This page was last edited on 4 November 2019, at 06:46 (UTC).; Text is available under the
In Judaism, yetzer hara is the congenital inclination to do evil, by violating the will of God. The term is drawn from the phrase "the imagination of the heart of man [is] evil" (יֵצֶר לֵב הָאָדָם רַע , yetzer lev-ha-adam ra), which occurs twice at the beginning of the Torah. Genesis 6:5 and 8:21.
In modern interpretations of traditional Japanese arts and culture, ma is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in ...
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.