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Al Balabil (Arabic: البلابل, transl. The Nightingales) were a popular Sudanese vocal group of three sisters, mainly active from 1971 until 1988. Their popular songs and appearance as modern female performers on stage, as well as on Sudanese radio and television, earned them fame all over East Africa and beyond, and they were sometimes referred to as the "Sudanese Supremes". [1]
Sayed Khalifa (Arabic: سيد خليفة, 1928 – 2001) was a popular Sudanese singer and composer, primarily active from the 1950s to the 1980s.Khalifa was one of the first Sudanese singers trained in formal music theory.
The music of Sudan also has a strong tradition of lyrical expression that uses oblique metaphors, speaks about love, the history of a tribe or the beauty of the country. In his essay Sudanese Singing 1908–1958, author El Sirr A. Gadour translated an example for the lyrics of a love song from the beginning of the 20th century as follows: [9]
Noor al-Jailani (Arabic: النور الجيلاني; born 1944) is a Sudanese singer with a unique lyrical style that combines traditional folk singing with modern music, through topics of various shapes and contents. He sang many songs to South Sudan and loved nature and scenic views. Most of his songs were about the Nile and birds.
Kamal Ibrahim Suleiman, better known as Kamal Tarbas, (Arabic: كمال ترباس, born 1 January 1950, Omdurman, Sudan) is a Sudanese singer-songwriter.He has contributed to the development of popular music in Sudan in the 1970s by his personal, down-to-earth way of singing, backed by orchestras with western musical instruments.
Hanan Bulu Bulu (Arabic: حنان بلوبلو, born as Hanan Abdallah Abdelkarim, 4 May 1966, Omdurman, Sudan), is a modern Sudanese singer-songwriter and recording artist. In her music, she combines both songs by older Sudanese musicians as well as her own compositions.
Abdel Gadir Salim (Arabic: عبد القادر سالم, born 1946) is a singer and bandleader of popular music from Sudan.He is one of the most well-known Sudanese singers in the West, having performed around the world and recorded in countries such as the United Kingdom and France.
Aisha's career only progressed in the late 1930s, when she was discovered by a representative of an Egyptian record company. She recorded several songs for the company in Cairo, and her music subsequently became popular in Sudanese coffeehouses. [2] Her recordings were released under the name "Aisha al-Falatiya", a reference to her Fulani ...