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The three hares (or three rabbits) is a circular motif appearing in sacred sites from East Asia, the Middle East and the churches of Devon, England (as the "Tinners' Rabbits"), [1] and historical synagogues in Europe.
The Holy Family with Three Hares is a c. 1496 woodcut by German artist Albrecht Dürer (1471–1528). It depicts the Christian Holy Family of Mary, Joseph, and the infant Jesus, in an enclosed garden, symbolizing Mary's virginity.
The three hares at Paderborn Cathedral. The Hasenfenster (hare windows) in Paderborn Cathedral and in the Muotathal Monastery in Switzerland, in which three hares are depicted with only three ears between them, forming a triangle, can be seen as a symbol of the Trinity, and probably go back to
Hares are swift animals and can run up to 80 km/h (50 mph) over short distances. [3] Over longer distances, the European hare ( Lepus europaeus ) can run up to 55 km/h (35 mph). [ 4 ] [ 5 ] The five species of jackrabbits found in central and western North America are able to run at 65 km/h (40 mph) over longer distances, and can leap up to 3 m ...
Window of Three Hares (Dreihasenfenster) One of the cathedral's, and the city's, most recognisable features is the Dreihasenfenster ("Window of Three Hares"). It depicts three hares in motion, arranged in a triangle. Each hare is shown as having two ears, although only three ears are visible in total.
Inside, the ceiling is decorated with a large number of decorative roof bosses, including the tinner's emblem of a circle of three hares (known locally as the Tinners' Rabbits). The church was badly damaged in the Great Thunderstorm of 1638, apparently struck by ball lightning. An afternoon service was taking place at the time, and the building ...
The motif of herding hares is a common fairy tale theme. Another tale featuring it is The Three May Peaches. This tale, and The Griffin, also feature the test of truthfully telling what the character is carrying. The tale and its variants are grouped under the Aarne-Thompson-Uther Index as ATU 570, "The Rabbit-Herd" or "The Sack of Lies". [3]
Credit line: given by W.G. Russell Allen: References: Albrecht Dürer: Complete woodcuts, 008 ; Bartsch's Le Peintre Graveur, 102 (Grav.Bois) Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1, C. D. 9