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The term “sprezzatura” first appeared in Baldassare Castiglione's 1528 The Book of the Courtier, where it is defined by the author as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". [2]
Edoardo Saccone states in his analysis of Castiglione, "grazia consists of, or rather is obtained through, sprezzatura." [9] According to the Count, sprezzatura is the most important rhetorical device the courtier needs. Peter Burke describes sprezzatura in The Book of the Courtier as "nonchalance", "careful negligence", and "effortless and ...
The ideal courtier, then, must act with noble sprezzatura, and Canossa maintains that because the ideal courtier must be a man of arms, skilled in horsemanship, he needs to be of noble birth. To this, another interlocutor, a very youthful Gaspare Pallavicino, objects that many outstanding and virtuous men have been of humble origins.
In his The Book of the Courtier Castiglione argued on behalf of the cultivation of fine manners and dress. [5] He popularized the term sprezzatura, which translates roughly to "nonchalant mastery", an ideal of effortless grace befitting a man of
The portrait displays the attitude of studied carelessness, called sprezzatura, recommended in The Book of the Courtier by Baldassare Castiglione, defined as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". [6]
The Book of the Courtier, by Baldassare Castiglione, is one of the first texts that depicted behaviors which individuals were expected to adopt in society. As an informal book of conduct, The Courtier included instructions on how people of the noble class were to dress and speak, as well as general rules of interaction to follow in social ...
Maggie Millner has praised the project as Trigilio's “effort to face his demons, compose his memoirs, and keep alive the memory of his mother—all the while combining elements of kitsch, ekphrasis, and new formalism.” [5] Joe Milazzo commends the project as a contemporary example of the Italian concept of sprezzatura, first coined in 1528 ...
In the twentieth century, scholars usually situated Galateo among the courtesy books and conduct manuals that were very popular during the Renaissance. [4] In addition to Castiglione’s celebrated Courtier, other important Italian treatises and dialogues include Alessandro Piccolomini’s Moral institutione (1560), Luigi Cornaro’s Treatise on the Sober Life (1558-1565), and Stefano Guazzo ...