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The placard for The Dog painting in The Prado indicates the dog is in distress, quite literally, drowning. The Dog is one of Goya's Black Paintings, which he painted directly onto the walls of his house sometime between 1819 and 1823 when he was in his mid-70s, living alone and suffering from acute mental and physical distress. He did not ...
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Original – An untitled painting by Francisco Goya, often called The Dog. Originally painted on plaster, it was transferred to canvas fifty years after Goya's death. It currently measures 131.5 cm × 79.3 cm (51¾ in × 31¼ in). The painting has been called the first symbolist, as well as the most beautiful, painting in the world. Reason
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house some time between 1820 and 1823. [1] It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.
Quinta del Sordo (English: Villa of the Deaf One), or Quinta de Goya, was an extensive estate and country house situated on a hill in the old municipality of Carabanchel on the outskirts of Madrid. The house is best known as the home of Francisco de Goya , where he painted 14 murals known as the Black Paintings . [ 3 ]
Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
Witches' Sabbath 1821–1823, 140cm × 438cm, Museo del Prado. Goya used the imagery of covens of witches in a number of works, most notably in one of his Black Paintings, Witches' Sabbath or The Great He-Goat (1821–1823).
Atropos, Goya, 1821–1823. Prado, Madrid. Writer Richard Cottrell has noted the similarity in the colouring of the 'livid' sky with another work from the Black Painting series, The Dog. [3] The work bears similarity to Atropos and A Pilgrimage to San Isidro, in that it utilises an elliptical visual device to distort the viewer's perspective.