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Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
"Talkin' 'bout a Revolution" is the second single from American singer-songwriter Tracy Chapman's self-titled debut album. The politically aware song peaked at No. 75 in the United States as opposed to its predecessor, "Fast Car" which reached No. 6. It also charted in several other countries, reaching the top 40 in Austria, Belgium, France ...
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
Lisa Coleman (born August 17, 1960) is an American composer, musician and singer-songwriter, primarily on keyboards and piano. Coleman is known for her tenure as a member of Prince's backing band The Revolution from 1980 to 1986, as well as Wendy & Lisa, her musical partnership with fellow Revolution alum Wendy Melvoin.
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Some chord charts intended for rhythm section accompanists contain only the chord progression. The shape note system is found in some church hymnals, sheet music, and song books, especially in the Southern United States. Instead of the customary elliptical note head, note heads of various shapes are used to show the position of the note on the ...
Wendy Ann Melvoin (born January 26, 1964) is an American guitarist and singer-songwriter, best known for her work with Prince as part of his backing band the Revolution, and for her collaboration with Lisa Coleman as one half of the duo Wendy & Lisa.
An isomorphic keyboard is a musical input device consisting of a two-dimensional grid of note-controlling elements (such as buttons or keys) on which any given sequence and/or combination of musical intervals has the "same shape" on the keyboard wherever it occurs – within a key, across keys, across octaves, and across tunings.