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Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...
Leblanc added the KHS company of Taiwan as a source for Vito saxophones in 1981. The KHS versions were sold as models 7133, 7136, 7140, and 7190. The Vito line of woodwinds was discontinued in 2004, although the equivalent models of saxophones continued to be made by Yamaha and KHS (Jupiter). The Vito line of brasswinds was discontinued in 2007.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
Burke said that his first instrument was a flute he carved from a fishing pole. He then played the tin whistle, kazoo, and clarinet. [4] His first job in music came in 1913 when he panhandled on the kazoo with future New Orleans Rhythm Kings drummer Leo Adde who played percussion on a cigar box. [5]
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
A tone hole is an opening in the body of a wind instrument which, when alternately closed and opened, changes the pitch of the sound produced. Tone holes may serve specific purposes, such as a trill hole or register hole. A tone hole is, "in wind instruments[,] a hole that may be stopped by the finger, or a key, to change the pitch of the tone ...
The register key is like the key on German clarinets, with the corresponding tone hole on the left side. There is a ring on the upper joint tone hole for the C. This can be found on some Boehm clarinets, but is not common. [4] There is a G ♯ key for the right index finger. [5] There is an improved low E/F key. [6]
By the end of his career in the late 1960s, Hodges was playing a Vito LeBlanc Rationale alto (serial number 2551A), an instrument with unusual key-mechanisms (providing various alternative fingerings) and tone-hole placement, which gave superior intonation. Fewer than 2,000 were ever made.