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The album includes instrumental versions of songs by The Carpenters and Richard's album Time, and is dedicated to their deceased mother, Agnes Carpenter. [4]The album contains two new songs, "All Those Years Ago" and "Karen's Theme", with the latter being released as a single.
This is a comprehensive list of songs written or performed by pop duo the Carpenters, featuring Karen and Richard Carpenter. This list includes official studio albums, live albums, solo albums, and notable compilations that feature rare or unreleased material.
The Carpenters [a] were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition. During their 14-year career, the Carpenters recorded 10 albums ...
The discography of the American pop group the Carpenters consists of 14 studio albums, two Christmas albums, two live albums, 49 singles, and numerous compilation albums. . The duo was made up of siblings Karen (lead vocals and drums) and Richard Carpenter (keyboards and vocal
"Rainy Days and Mondays" is a song by the Carpenters from their self-titled third album, with instrumental backing by the Wrecking Crew. [3] It was written by Paul Williams (lyrics) and Roger Nichols (music), who had previously written "We've Only Just Begun," another hit for the duo.
Piano Solo – Richard Carpenter "When I Fall in Love" – Karen Carpenter "You're Just in Love" – Karen and John "How High The Moon / Smoke Gets In Your Eyes / Jazz Scat" – Ella Fitzgerald; 1980 Carpenters Medley – Karen and Richard, Nelson Riddle and his Orchestra: "Sing" "Knowing When To Leave" "Make It Easy On Yourself" "Someday"
Carpenters with the Royal Philharmonic Orchestra is a compilation album by American duo the Carpenters. It was released on 7 December 2018, by A&M Records and Universal Music Enterprises . The album features Carpenters' "original vocal and instrumental tracks" accompanied by new orchestral arrangements by the Royal Philharmonic Orchestra .
When Richard Carpenter asked Bacharach for permission (as a courtesy) to redo the song, Bacharach requested that he keep the two "quintuplets" (five note groupings" (piano ornaments) at the end of the first bridge. Bacharach recalled his initial reaction on hearing the finished product: "Man, this is just great!