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The Dead Don't Die is a 2019 American absurdist zombie comedy and metacinematic film written and directed by Jim Jarmusch.It features an ensemble cast including Bill Murray, Adam Driver, Chloë Sevigny, Steve Buscemi, Tilda Swinton, Tom Waits, Danny Glover, Caleb Landry Jones, Rosie Perez, Iggy Pop, Carol Kane, RZA, Austin Butler, and Selena Gomez and follows a small town's police force as ...
The Dead Don't Die is a 1975 American made-for-television neo-noir horror thriller film set in the 1930s, directed by Curtis Harrington from a teleplay by Robert Bloch, based upon his own story of the same title that first appeared in Fantastic Adventures, July 1951. The film originally premiered on NBC on January 14, 1975.
The Dead Don't Die may refer to: The Dead Don't Die, a neo-noir horror thriller; The Dead Don't Die, a zombie horror-comedy; See also. Dead Men Don't Die, a ...
The Dead Don't Hurt is a 2023 Western film written, directed, and produced by Viggo Mortensen, and starring Mortensen, Vicky Krieps, Solly McLeod, Garret Dillahunt, Colin Morgan, Ray McKinnon, Luke Reilly, Atlas Green, and Danny Huston. Mortensen also composed the score to the film. It is a co-production between Canada, Denmark and Mexico. [3]
Zombieland is a 2009 American post-apocalyptic zombie comedy film directed by Ruben Fleischer in his theatrical debut and written by Rhett Reese and Paul Wernick.It stars Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, and Bill Murray.
The film is not a sequel to Dawn of the Dead but rather a spiritual successor. During Dawn of the Dead ' s production, Snyder got the idea and realized he needed a new origin story to develop the plot and a new incarnation of the living dead. He titled the project Army of the Dead as a tribute to the Night of the Living Dead series from George ...
For much of “Don’t Move,” Iris is drugged, unable to move or speak. The drug was a “metaphor to speak about this kind of loss and grief that she’s going through,” Kelsey Asbille tells ...
Fessenden has operated the production company Glass Eye Pix since 1985. [4] Fessenden regards the old Universal Monsters as a substantial influence for him. [5] In a review of Fessenden's film Wendigo (2001), Dave Kehr of the New York Times stated, "The independent filmmaker Larry Fessenden has set himself a challenging project: to approach the themes and thrills of the classic American horror ...