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Bosko in Person; Bosko the Doughboy; Bosko the Lumberjack; Bosko the Musketeer; Bosko, the Talk-Ink Kid; Bosko's Holiday; Bosko's Knight-Mare; Bosko's Picture Show; Bosko's Store; Bowery Daze; Box Car Blues; Bray Magazine; Bright Lights (1928 film) Bring Me the Head of Charlie Brown; Broadway Folly; The Broadway Malady; Buddy and Towser; Buddy ...
The Mask (re-released as Eyes of Hell and The Spooky Movie Show) is a 1961 Canadian surrealist horror film produced in 3-D by Warner Bros. It was directed by Julian Roffman and stars Paul Stevens, Claudette Nevins, and Bill Walker. It was written by Franklin Delessert, Sandy Haver, Frank Taubes and Slavko Vorkapich.
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
Although The Tingler was filmed in black-and-white, a short color sequence was spliced into the film. It showed a sink (in black-and-white) with bright-red "blood" flowing from the taps and a black-and-white Evelyn watching a bloody red hand rising from a bathtub, likewise filled with the bright red "blood". Castle used color film for the effect.
This is a list of black and white films that were subsequently colorized This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Fear(s) of the Dark (French: Peur(s) du noir) is a 2007 French black-and-white animated horror anthology film on the subject of fear [1] produced by Prima Linéa Productions and written and directed by several notable comic book creators and graphic designers. [2] It was premiered at the 2007 Roma Film Festival and released in France in ...
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Renaissance uses a style of motion capture animation in which almost all images are exclusively black-and-white; only occasional colour is used for detail. The film concerns a French policeman investigating the kidnapping of a scientist who may hold the key to eternal life in a futuristic and slightly dystopian Paris.