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Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions practiced primarily in the Southern region of the United States. "Shape-note singers used tune books rather than hymnals. Hymnals were pocket-size ...
The Christian Harmony is a shape note hymn and tune book compiled by William Walker. The book was released in 1866 (1867 according to some sources). The book was released in 1866 (1867 according to some sources).
Andrew Law asserted that he was the inventor of shape notes. Shape notes proved popular in America, and quickly a wide variety of hymnbooks were prepared making use of them. The shapes were eventually extirpated in the northeastern U.S. by a so-called "better music" movement, headed by Lowell Mason. [16]
The Southern Harmony, and Musical Companion is a shape note hymn and tune book compiled by William Walker, first published in 1835. The book is notable for having originated or popularized several hymn tunes found in modern hymnals and shape note collections like The Sacred Harp.
Harmonia Sacra is a Mennonite shape note hymn and tune book, originally published as A Compilation of Genuine Church Music in 1832 (Singers Glen, Virginia) by Joseph Funk (1778–1862). The original publication was a "four-shape" shape note book using the shapes and syllables "faw, sol, law, and mi".
The traditional tune, Holy Manna, is a pentatonic melody in Ionian mode originally published by William Moore in Columbian Harmony, a four-note shape-note tunebook, in 1829. [1] Like most shape-note songs from that century, it is usually written in three parts. It is commonly sung as the opening song at shape-note singing events.
The music of The Sacred Harp is eclectic in origin, and can be roughly grouped into the following categories of songs (listed chronologically).. In the examples listed below, songs are identified by the page number in the two most prominent modern versions of The Sacred Harp; the so-called "Denson edition" and the "Cooper edition".
Walker learned shape note music in singing schools; it had been used by Baptist and Methodist preachers in the Second Great Awakening to help spread Christianity in the South. Because the music could be read and sung by amateurs, hymns in shape note annotation became the centerpiece of many revivals and camp meetings on the frontier. Walker ...