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Among those unforgettable '80s hits and iconic bands, there was a quirky phenomenon known as the one-hit wonder. You know the type—those catchy tunes that burst onto the scene, steal our hearts ...
On the other hand, some artists with long, successful careers have been identified as one-hit wonders by virtue of having reached the Top 40 of the Hot 100 only once. Consequence of Sound editor Matt Melis lists Beck ("Loser") and the Grateful Dead ("Touch of Grey") [6] as "technically" being one-hit wonders despite their large bodies of work. [7]
When adding the weeks for all of Phil Collins' number-one singles during the 1980s, it comes out to 15. (This does not include the Genesis song "Invisible Touch".) However, "Another Day in Paradise" spent its final two weeks at number one in 1990—January 6 and 13—so those two weeks do not count toward his tally in the 1980s.
In The Billboard Book of One-Hit Wonders, music journalist Wayne Jancik defines a one-hit wonder as "an act that has won a position on [the] national, pop, Top 40 record chart just once." [ 1 ] Billboard magazine defines a U.S. one-hit wonder as an "artist that cracks the top 40 on the Billboard Hot 100 and never makes it back to that position."
Stacker dug through the annals of rock music history and highlighted 20 one-hit wonders, identified by rock artists whose only single reached gold or platinum status from the Recording Industry ...
A hit is attributed to the main artist given credit. If a single is released by two artists with the conjunction 'and' or 'versus' then both artists have equal billing (e.g. Yolanda Be Cool & DCUP, who have also been credited as Yolanda Be Cool vs. DCUP) [1] and are both counted as having a number one (in this case "We No Speak Americano") whereas if the conjunction between two artists is ...