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Self-Portrait: Autorretrato: Fresco mounted on metal, 62.8 x 48.2 cm [3] Private Collection, Monterrey [3] 1933 Self-Portrait – Very Ugly: Autorretrato – muy fea: Fresco mounted on masonite, 27.4 x 22.2 cm Private collection, Dallas, Texas, United States 1933 Self-Portrait with Necklace: Autorretrato con collar: Oil on metal, 34.5 x 29.5 cm
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Self-Portrait (Ellen Thesleff) Self-Portrait (Ingres) Self-Portrait (Lampi) Self-Portrait Aged 24; Self-Portrait Aged 71; Self-Portrait as a Female Martyr; Self-Portrait as a Soldier; Self-Portrait as a Tahitian; Self-portrait as David; Self-Portrait as the Allegory of Painting; Self-Portrait at 6th Wedding Anniversary; Self-Portrait at 69 years
Edvard Munch was born in a farmhouse in the village of Ådalsbruk in Løten, Norway, to Laura Catherine Bjølstad and Christian Munch, the son of a priest.Christian was a doctor and medical officer who married Laura, a woman half his age, in 1861.
Magdalena Carmen Frida Kahlo y Calderón [a] (Spanish pronunciation: [ˈfɾiða ˈkalo]; 6 July 1907 – 13 July 1954 [1]) was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artifacts of Mexico.
Las Meninas, painted in 1656, shows Diego Velázquez working at the easel to the left.. Self-portraiture has a long history. In Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the self-portrait, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self".
Self-portrait in a Velvet Dress is described as: "Kahlo appears half length, wearing an elegant velvet dress, against a background of stylized waves. She presents herself as a comely young woman of the time, her hair neatly parted in the centre and combed into a chignon that highlights her oval face and symmetrical features.
Merahi metua no Tehamana (English Tehamana Has Many Parents or The Ancestors of Tehamana) is an 1893 painting by the French artist Paul Gauguin, currently in the collection of the Art Institute of Chicago. [1] The painting is a portrait of Paul Gauguin's wife Teha'amana during his first visit to Tahiti in 1891–1893. This marriage has always ...