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While Tutankhamun's funerary mask is the most famous funerary mask from Ancient Egypt, a couple of other funerary masks have been found that have escaped destruction from tomb robbers. The funerary masks of Den , Hor Awibre , Psusennes I , Amenemope and Shoshenq II have been found intact.
Masks of deceased people are part of traditions in many countries. The most important process of the funeral ceremony in ancient Egypt was the mummification of the body, which, after prayers and consecration, was put into a sarcophagus enameled and decorated with gold and gems. A special element of the rite was a sculpted mask, put on the face ...
Mummy masks, in cartonnage, plaster, or stucco, in either traditional Egyptian style or Roman style, might be added to the mummies. [18] Another possibility was a Roman-style mummy portrait, executed in encaustic (pigment suspended in wax) on a wooden panel.
One of the most famous visages in archaeological history, that of ancient Egyptian King Tutankhamun, ... King Tut’s iconic mask is 21 inches tall, inlaid with precious stones, and features a 5.5 ...
Tutankhamun became one of the best-known pharaohs, and some artefacts from his tomb, such as his golden funerary mask, are among the best-known artworks from ancient Egypt. Most of the tomb's goods were sent to the Egyptian Museum in Cairo and are now in the Grand Egyptian Museum in Giza , although Tutankhamun's mummy and sarcophagus are still ...
Anubis (/ ə ˈ nj uː b ɪ s /; [3] Ancient Greek: Ἄνουβις), also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian (Coptic: ⲁⲛⲟⲩⲡ, romanized: Anoup), is the god of funerary rites, protector of graves, and guide to the underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head.
Funerary masks were used throughout the Egyptian periods. Examples range from the gold masks of Tutankhamun and Psusennes I to the Roman "mummy portraits" from Hawara and the Fayum. Whether in a funerary or religious context, the purpose of a mask was the same: to transform the wearer from a mortal to a divine state. [3]
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