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Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
An animal painter is an artist who specialises in (or is known for their skill in) the portrayal of animals. The OED dates the first express use of the term "animal painter" to the mid-18th century: by English physician , naturalist and writer John Berkenhout (1726–1791). [ 2 ]
Pigcasso (April 2016 – March 2024) was a 700-kilogram (1,500 lb) pig from South Africa whose paintings have sold for millions of rand all over the world. Pigcasso is best known for being the first non-human artist to be given her own art exhibition, and for holding the record for most expensive artwork by an animal ever sold.
Animals are often painted with bright colors and designs and carved with exaggerated features that bear little resemblance to what occurs in the natural world. Anthropomorphism is common and carvings of animals playing musical instruments, golfing, fishing, and engaging in other human pursuits are very popular.
The composite figures are a combination of humans and animals, including a Brontosaurus on the trunk of elephant on the right. Composite miniature painting is a painting style which was prevalent in India and Persia. In this style, painted representations of different animals or animals and humans are combined to form a larger image within the ...
Probably one of the most famous depictions of an animal in the history of European art is the painting Young Hare by Albrecht Dürer, completed in 1502 and now preserved in the Albertina in Vienna. Dürer's watercolor is seen in the context of his other nature studies, such as his almost equally famous Meadow or his Bird Wings.
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This is one of Marc's earliest major works depicting animals and is one of the most important of his series of portraits of horses. It is often thought that Marc considered animals to be more pure and more beautiful than humans and, therefore, his paintings represent a pantheistic understanding of the divine or of spirituality. [6]