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John 15 is the fifteenth chapter in the Gospel of John in the New Testament section of the Christian Bible. It is part of what New Testament scholars have called the ' farewell discourse ' of Jesus. It has historically been a source of Christian teaching and Christological debate and reflection, and its images (particularly of Jesus as the vine ...
John 15:1–17 reads in the Douay–Rheims Bible: [15] I am the true vine; and my Father is the husbandman. Every branch in me, that beareth not fruit, he will take away: and every one that beareth fruit, he will purge it, that it may bring forth more fruit. Now you are clean by reason of the word, which I have spoken to you. Abide in me, and I ...
The concept of "truth" in Johannine writings is then intertwined with John 16:13's statement of how the Spirit of Truth acts as guide that leads believers to truth, building on the assurance given in John 14:26 that the Paraclete facilitates and confirms the memory of "all that Jesus had taught his disciples" and John 15:26's statement that ...
The statement in John 14:26: "the Holy Spirit, whom the Father will send in my name" is within the framework of the "sending relationships" in John's gospel. [15] In John 9:4 (and also 14:24 ) Jesus refers to the father as "him that sent me", and in John 20:21 states "as the Father hath sent me, even so send I you" where he sends the disciples.
Illustration from the Bamberg Apocalypse of the Son of Man among the seven lampstands The Vision of John on Patmos by Julius Schnorr von Carolsfeld (1860). John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation (Revelation 1:9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" ().
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There are a growing number of scholars who also find parables in the Gospel of John, such as the little stories of the Good Shepherd (John 10:1–5) or the childbearing woman (John 16:21). [a] Otherwise, John includes allegories but no parables. Several authors such as Barbara Reid, Arland Hultgren or Donald Griggs comment that "parables are ...
The prohibition against icons was due to verses in Exodus 20:4 which critiqued the worship of graven images. [31] [32] Most figurative images were destroyed or plastered over, with exceptions of images at the monastery of Saint Catherine on Mount Sinai, Egypt. [33] [30] Byzantine art style declined after the Fall of Constantinople in 1453. [34 ...