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The English rock band Radiohead used Auto-Tune on their 2001 album Amnesiac to create a "nasal, depersonalized sound" and to process speech into melody. According to the Radiohead singer, Thom Yorke, Auto-Tune "desperately tries to search for the music in your speech, and produces notes at random. If you've assigned it a key, you've got music."
A notable example of Auto-Tune-based pitch correction is the Cher effect, so named because producer Mark Taylor originated the effect in her 1998 hit song "Believe". [4] The effect has been used by composer John Boswell for his Symphony of Science and Symphony of Bang Goes The Theory (a BBC science show) mash-ups.
Tunebot is a music search engine developed by the Interactive Audio Lab at Northwestern University.Users can search the database by humming or singing a melody into a microphone, playing the melody on a virtual keyboard, or by typing some of the lyrics.
Nonetheless, Joseph Haydn still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches. [1]
Early models of key finder were sound-based, and listened for a clap or whistle (or a sequence of same), then beeped for the user to find them. Determining what was a clap or a whistle proved difficult, resulting in poor performance and false alarms. Because of this low quality and unreliability, these early key finders were soon discarded and ...
Melodyne has become a tool which is used by a large number of professional record producers worldwide to tune and manipulate audio signals, typically a singer's vocals. Melodyne also has facilities for time-stretching, rebuilding melodies. It can also be used to aid the creation of backing vocals from an existing lead vocal.
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The track was recorded in the key of F ♯ major with a tempo of 133 beats per minute. The song follows a chord progression of F ♯ –C ♯ –G ♯ m–B–F ♯ –A ♯ m 7 –G ♯ m–D ♯ m, and Cher's vocal range spans from the low note of F ♯ 3 to the high note of C ♯ 5 .