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"Stranger series") [3] [4] is a Japanese boys' love (BL) manga series written and illustrated by Kanna Kii. The first book, L'étranger de la Plage (海辺のエトランゼ, Umibe no Etoranze, also titled Seaside Stranger or The Stranger by the Shore in the English versions), was serialized in the bimonthly manga magazine On BLUE from 2013
Gaijin (外人, [ɡai(d)ʑiɴ]; "outsider", "alien") is a Japanese word for foreigners and non-Japanese citizens in Japan, specifically being applied to foreigners of non-Japanese ethnicity and those from the Japanese diaspora who are not Japanese citizens. [1] The word is composed of two kanji: gai (外, "outside") and jin (人, "person").
Stranger (stylized in all capitals) is an extended play (EP) marketed as the fourth single of Japanese boy group JO1. It also served as the second single for their second studio album , Kizuna (2022).
Strangers (Japanese: 異人たちとの夏, Romanization: Ijintachi to no natsu, lit. Summer with the Strangers) is a novel by Taichi Yamada, published in 1987.
Stranger (Japanese pronunciation: [sɯ̥toɾeꜜndʑaː]) is the third studio album by Japanese singer-songwriter and musician Gen Hoshino. It was released on 1 May 2013 in Japan on Speedstar Records. It was the first release since Hoshino's hiatus after he suffered subarachnoid hemorrhage at the end of 2012. [2]
Stranger of Sword City (剣の街の異邦人, Tsurugi no machi no ihoujin), [8] originally titled The Stranger in Alda, [9] is a dungeon crawler role-playing video game developed by Experience, developer of Demon Gaze, for Microsoft Windows, Xbox 360, PlayStation Vita and Xbox One. [9]
Sword of the Stranger (Japanese: ストレンヂア 無皇刃譚, Hepburn: Sutorenjia Mukōhadan) is a 2007 Japanese animated jidaigeki-chanbara adventure film produced by Bones and released by Shochiku. It depicts Kotaro, a young orphan hunted by Ming swordsmen, who receives unexpected protection from Nanashi, a troubled ronin.
Caroline Spalding of The Yorkshire Times wrote "Stranger in the Shogun’s City affirms its value as both an historical account and an enchanting story.". [6] Kathryn Hughes of The Guardian wrote "Stanley works hard throughout this compelling book to make Tsuneno into a feminist heroine, a brilliant girl born ahead of her time". [7]