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Since a conventional speaker is similar in construction to a dynamic microphone (with a diaphragm, coil and magnet), speakers can actually work "in reverse" as microphones. Reciprocity applies, so the resulting microphone has the same impairments as a single-driver loudspeaker: limited low- and high-end frequency response, poorly controlled ...
A human microphone, also known as the people's microphone, is a means for delivering a speech to a large group of people, wherein persons gathered around the speaker repeat what the speaker says, thus "amplifying" the voice of the speaker without the need for amplification equipment. The speaker begins by saying "mic check".
The microphone's output is usually low-pass filtered. [25] [28] A simple surround microphone configuration involves the use of a front array in combination with two backward-facing omnidirectional room microphones placed about 10–15 meters away from the front array. If echoes are notable, the front array can be delayed appropriately.
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Audio feedback from microphones occurs when a microphone is too near a monitor or main speaker and the sound reinforcement system amplifies itself. Audio feedback through a microphone is almost universally regarded as a negative phenomenon, many electric guitarists use guitar feedback as part of their performance. This type of feedback is ...
Electro-Voice (EV) is an American manufacturer of audio equipment, including microphones, amplifiers, and loudspeakers, focused on pro audio applications such as sound reinforcement and commercial and residential audiovisual installations.
Mic Check is a phrase used by human microphones. It may also refer to: a soundcheck "Mic Check" (Hadouken! song), a song by Hadouken! "Mic Check" (Juelz Santana song), a song by Juelz Santana "Mic Check", a recording on the B-side of Imogen Heap's single "Headlock" "Mic Check", a song by the Italian rapper Noyz Narcos featuring Salmo
A microphone’s sensitivity varies with frequency (as well as with other factors such as environmental conditions) and is therefore normally recorded as several sensitivity values, each for a specific frequency band (see frequency spectrum). A microphone’s sensitivity can also depend on the nature of the sound field it is exposed to.