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Print/export Download as PDF; Printable version; In other projects ... Media in category "Fictional knights" This category contains only the following file.
The Middle Ages in art: a Pre-Raphaelite painting of a knight and a mythical seductress, the lamia (Lamia by John William Waterhouse, 1905). Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles ...
The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
Medieval art was now heavily collected, both by museums and private collectors like George Salting, the Rothschild family and John Pierpont Morgan. After the decline of the Gothic Revival, and the Celtic Revival use of Insular styles, the anti-realist and expressive elements of medieval art have still proved an inspiration for many modern artists.
Knight (Vityaz) at the Crossroads, Viktor Vasnetsov (1882), Russian Museum. Many Rus epic poems, called bylinas (Ukrainian: билини; Russian: былины), prominently featured stories about these heroes, as did several chronicles, including the 13th century Galician–Volhynian Chronicle.
The art of the Crusades, produced in the Levant under Latin rulership, spanned two artistic periods in Europe, the Romanesque and the Gothic, but in the Crusader states the Gothic style barely appeared. The military crusaders themselves were mostly interested in artistic and development matters, or sophisticated in their taste, and much of ...
Historical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements (such as magic) into a more "realistic" narrative. [1] There is much crossover with other subgenres of fantasy; those classed as Arthurian, Celtic, or Dark Ages could just as easily be placed in historical fantasy. [2]
13th-century sources show it as a white gonfanon with a black chief (argent a chief sable). [1] Jacques de Vitry, writing in the 1220s, mentions the gonfanon baucent and explains that the black and white colours symbolise the Templar's ferocity towards their enemies and their kindness towards their friends. [2]