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American singer-songwriter, keyboardist and record producer George Duke released 32 studio albums, eight live albums, 19 collaborative albums (as a member of the George Duke Quartet, the George Duke Trio, the Cannonball Adderley Quintet, the Nat Adderley Sextet, The Mothers of Invention, the Billy Cobham/George Duke Band, the Clarke Duke Project, and the George Duke Band), and 47 singles.
George M. Duke was born in San Rafael, California, United States, [2] to Thadd Duke and Beatrice Burrell, and was raised in Marin City. At four years of age, he became interested in the piano. His mother took him to see Duke Ellington in concert and told him about this experience. "I don't remember it too well, but my mother told me I went crazy.
Don't Let Go was produced by Duke. Recording sessions for the album took place at Paramount Recording Studios in Los Angeles, California. The album features guest appearances from Duke's frequent collaborators, guitarist Charles "Icarus" Johnson, bassist Byron Miller, drummer Leon "Ndugu" Chancler and percussionist Sheila Escovedo with guest appearances from Josie James and Napoleon Murphy ...
Dream On is the fifteenth studio album by American keyboardist and record producer George Duke.It was released in 1982 through Epic Records.The recording sessions for the album took place at Le Gonks West Studio in West Hollywood, California, except for horns on "Positive Energy" and strings, which were recorded at Westlake Recording Studios and A&M Studios respectively.
Reach for It is a studio album by the American keyboardist and record producer George Duke. [2] It was recorded at Paramount Recording Studios in Los Angeles, California, and released in 1977 through Epic Records.
Dukey Treats is the 29th studio album by American keyboardist and record producer George Duke. It was released on August 26, 2008, through BPM Records under exclusive license to Heads Up International .
3 is the third and final collaborative album by Stanley Clarke and George Duke, released in 1990 on Epic Records. The album peaked at No. 7 on the US Billboard Contemporary Jazz Albums chart. Overview
With a 3 out of 5 star rating Johnathan Widran of AllMusic wrote "After years of producing albums which were more pop/funk than jazz oriented, George Duke simmers down, leaves off the R&B vocals, and takes a little creative license on the self-proclaimed "mood record" After Hours." [3]