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In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events.
Quranic cosmology is the understanding of the Quranic cosmos, the universe and its creation as described in the Quran.. The Quran provides a description of the physical landscape (cosmography) of the cosmos, including its structures and features, as well as its creation myth describing how the cosmos originated (), often related back to notions of the vastness and orderliness of the cosmos.
The baqarah (Arabic: بَقَرْة, cow) of the Israelites [3]; The dhiʾb (Arabic: ذِئب, wolf) that Jacob feared could attack Joseph, and who was blamed for his disappearance [22] [23]
A page of the Qur'an,16th century: "They would never produce its like not though they backed one another" written at the center. In Islam, ’i‘jāz (Arabic: اَلْإِعْجَازُ, romanized: al-ʾiʿjāz) or inimitability [citation needed] of the Qur’ān is the doctrine which holds that the Qur’ān has a miraculous quality, both in content and in form, that no human speech can ...
Prehistoric Indonesia is a prehistoric period in the Indonesian archipelago that spanned from the Pleistocene period to about the 4th century CE when the Kutai people produced the earliest known stone inscriptions in Indonesia. [1]
Badi' al-Zaman (Arabic: بديع الزمان, "The Wonder of the Age"), or Bediüzzaman may refer to: Badi' al-Zaman al-Hamadani (969–1007), master of Arabic prose; Badi al-Zaman Hibatallah al-Asturlabi (died 1139), Arab astronomer; Badi al-Zaman ibn Ismail al-Jazari (1136–1206), Mesopotamian Muslim polymath
The Artuqid ruler Nasr al-Din Mahmud (r. 1201–1222) is known to have commissioned the first edition of Al-Jāmi‘ fī ṣinā‘at al-ḥiyal of Ibn al-Razzaz al-Jazari, in April 1206 at the Artuqid court. [20] [21] This manuscript is known as Ahmet III 3472, now in the Topkapı Sarayı Library.
Tujuh rupa batik craftsmen have placed Chinese ceramic ornaments as a manifestation of ancestral cultural ties which in their paintings have eloquence and tenderness. Various ornamental plants are the main objects, and are widely found in Chinese ceramic paintings, combined with various animals such as sparrows, peacocks, dragons, and butterflies.