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Also in 1983, Dave Smith's company marketed the first polyphonic synthesizer keyboard that could play more than one sound at a time called the 'Six-Trak'. [22] It had a six track sequencer and each track could access a different sound. The same year the SCI Pooppit T8 with optical key sensing became the first piano action emulating MIDI keyboard.
He purchased a Minimoog in 1972 and later built his own analog sequencer, founding Sequential Circuits in 1974 and advertising his product for sale in Rolling Stone. [5] [6] By 1977 he was working at Sequential full-time, and later that year he designed the Prophet-5, the world's first microprocessor-based musical instrument and also the first programmable polyphonic synth, [7] an innovation ...
Piano simulation: A common feature of the digital piano, stage piano, and high-end workstations that allows real-time simulation of a sampled piano sound. It provides various piano-related effects, such as room reverberation, sympathetic resonance , piano lid position (as on a grand piano), and settings to adjust the tuning and overall sound ...
Digital, automated sound reproducing machine. 1817 Apollonicon: Digital, automated sound reproducing machine. 1851 Piano Cylinder: Digital, automatically played by means of revolving cylinders 1877 Tinfoil Phonograph: In 1877, Thomas Edison invented the first recorder that could also play back Analog; sound waveform transcribed to tinfoil 1883 ...
The world's first computer to play music was the CSIR Mark 1 (later named CSIRAC), which was designed and built by Trevor Pearcey and Maston Beard in the late 1940s. Mathematician Geoff Hill programmed the CSIR Mark 1 to play popular musical melodies from the very early 1950s.
MUSIC was the first computer program for generating digital audio waveforms through direct synthesis. It was one of the first programs for making music (in actuality, sound ) on a digital computer , and was certainly the first program to gain wide acceptance in the music research community as viable for that task.
The Kurzweil K250 was the first electronic instrument to faithfully reproduce the sounds of an acoustic grand piano. [5] It could play up to 12 notes simultaneously (known as 12-note polyphony) by using individual sounds as well as layered sounds (playing multiple sounds on the same note simultaneously, also known as being multitimbral).
In the late 19th century, Thaddeus Cahill introduced the Telharmonium, which is commonly considered the first electromechanical musical instrument. [2] In the early 20th century, Leon Theremin created the Theremin, an early electronic instrument played without physical contact, creating a new form of sound creation.