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The album was originally envisioned by Lawrence as a mini-album, and was intended to be a companion piece to the band's previous album On the Hot Dog Streets. However, the mini-album was never completed in time, and was later extended into a 17-track full-length album. The album was produced by Ian Button, formerly of the band Death in Vegas ...
Evil Hoodoo is a compilation album by the American garage rock band the Seeds, and was released by Bam-Caruso Records, in 1988.Somewhat relatable to a greatest hits album, Evil Hoodoo did not issue any unreleased tracks by the group; however, it did introduce listeners to the Seeds' music as underground psychedelic rock and garage rock musical genres were being rediscovered.
The Seeds is the debut album by American garage rock band the Seeds.It was released in April 1966 through GNP Crescendo Records and produced by Sky Saxon.After the release of two singles in 1965, "Can't Seem to Make You Mine" and "Pushin' Too Hard", the album was released and charted in the United States where it peaked at No. 132 on the Billboard Top LPs & Tapes chart.
A Full Spoon of Seedy Blues is the fourth album by the American garage rock band, the Seeds, credited to the Sky Saxon Blues Band, and released on GNP Crescendo in November 1967 (see 1967 in music). The album saw the group take a completely different and controversial direction from the psychedelia featured on their previous effort, Future ...
The first album of its kind to compile Seeds music, Fallin' Off the Edge includes rarities of the group's catalogue, alternate takes, and unreleased tracks. Among the songs available include the 1968 version of the hit " Pushin' Too Hard " without studio-created crowd noises, which was originally the closing track to the fake live album Raw ...
But Wild God, his 18th album with The Bad Seeds, feels more like a baptism: an ecstatic immersion in the rushing, pooling waters of love and loss that the sexagenarian artist has experienced since ...
[6] Matt Bauer of Exclaim! said, "Seeds strikes the perfect balance, as Madlib's thickly layered funk and soul samples and cabinet rocking beats pair with Muldrow's gloriously off-kilter vocals and free-form song structures to make this her most satisfying release to date." [8] AllMusic included it on the "Favorite R&B Albums of 2012" list. [12]