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Living with Mother-in-Law (Vietnamese: Sống chung với mẹ chồng) is a television drama series produced by Vietnam Television Film Center, Vietnam Television, directed by Vũ Trường Khoa. It aired from 5 April to 30 June 2017, every Wednesday to Friday (last four episodes aired on Thursday and Friday) at 20:45.
Câu chuyện quanh trái bóng (All About Football) 1 (65′) VTV Film Prod. Trần Hoài Sơn (director); Đoàn Tuấn (writer); Trần Tiệp, Văn Toản, Tuấn Minh, Trần Quốc Trọng, Công Lý, Thu Hương, Mỹ Linh, Như Lai, Đức Khuê, Thành Hưng, Khôi Nguyên, Danh Dũng, Thế Long, Duy Hùng... Comedy, Sport
Vietnam at that time was ruled nominally by the 300-year-old Lê dynasty, but real power rested in the Trịnh lords in the north and the Nguyễn lords in the south. While the Trịnh and the Nguyễn were fighting against each other, the Tây Sơn rebels overthrew both the Nguyễn and then the Trịnh over the span of a decade. Nguyễn Du ...
The Story of the Woman in Nam Xương (chữ Hán: 南昌女子傳, Chuyện người con gái Nam Xương) is a Vietnamese legend told in Truyền kỳ mạn lục by Nguyễn Dữ in the 16th century. The work is based on a folk tale about the injustice faced by a young woman during the late Trần dynasty. [1]
The legend from Lĩnh Nam chích quái was novelized as Quả Dưa Đỏ (lit. ' The Red Melon ') by Nguyễn Trọng Thuật and published Nam Phong Magazine in 1925, which was one of the first modern Vietnamese novels. [5] The novel was also inspired by Robinson Crusoe. [6] In 2011, Tô Hoài wrote the novel Đảo Hoang (lit.
The husband of the sisters are anh/em rể and the wife of the brothers are chị/em dâu. The brothers/sisters of the husband are anh chị em chồng and the brothers/sisters of our wife are anh chị em vợ. Two men whose wives are sisters are anh em cọc chèo and two women whose husbands are brothers are chị em dâu.
Đạo Mẫu (Vietnamese: [ɗâːwˀ mə̌wˀ], 道母) is the worship of mother goddesses which was established in Vietnam in the 16th century. [1] This worship is a branch of Vietnamese folk religion but is more shamanic in nature. Đạo is a Sino-Vietnamese word for "religion," similar to the Chinese term dao meaning "path," while Mẫu ...
In Vietnam it soon became one of the most highest-grossing movies ever. The local Vietnamese audience found the film to be socially relevant in its bleak, yet comedic, depiction of relationships in modern-day Saigon. Meanwhile, in the United States audience often complained that the movie was just "another sleazy movie that the Vietnamese made".