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The Yapong dance was first performed to prepare for the 450th anniversary of the city of Jakarta in 1977. At that time, the Dinas Kebudayaan DKI prepared a mass dance performance with the story of the struggle of Prince Jayakarta. The performance, in the form of a ballet, was entrusted to Bagong Kussudiarjo to organize the event.
Betawi mask dance or tari topeng Betawi is a theatrical form of dance-drama of the Betawi people in Jakarta, Indonesia. [9] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [10] The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama.
The Betawi mask dance (Betawi: Topèng Betawi) is a theatrical form of dance and drama of the Betawi people in Jakarta, Indonesia. [1] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [2] The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama.
Ondel-ondel street performance usually travelling the streets of Jakarta kampungs (urban villages), and asking Money contribution from audiences and passer by. The ondel-ondel is a large bamboo-wooden puppet-mask of Betawi couple; Male and Female ondel-ondel dancing accompanied with Gambang Kromong , Betawi traditional music consist of drums ...
In 1965, in Jakarta, on the initiative of the late Raden Husin Natodirajo and Mgs. Nungcik Asaari, both were the two famous Palembang cultural figures, Mrs. Elly Rudy created Tanggai Dance carrying tepak and wearing tanggai. [1] This dance is also functioned as the Welcome Dance to welcome the arrival of noble guests who came to visit Palembang ...
Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
A kecak dance being performed at Kolese Kanisius, Jakarta This is an example of what James Clifford describes as part of the "modern art-culture system" [ 4 ] in which "the West or the central power adopts, transforms, and consumes non-Western or peripheral cultural elements, while making 'art,' which was once embedded in the culture as a whole ...
In every appearance of the Kancet Papatai Dance, the man (or Ajai), is typically accompanied by a woman who expresses two different types of dance: . The Kancet Ledo dance, a dance by one woman which depicts "the gentleness of a girl as a piece of rice being gently blown by the wind". [4]