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Pandemonium is a comedy role-playing game designed by Stephan Michael Sechi and published by MIB Productions, Inc. It is inspired by the fictional "news" that appears in tabloid publications such as the Weekly World News .
Dread is a role-playing game that uses the Disciple 12 rules system. The game posits that demons have returned to Earth, and are preying on humans. Players create player characters called Disciples who have been trained as demon hunters and then grouped together into a Cabal to wage a secret war against the demons.
Pandemonium! [b] is a 1996 platform video game developed by Toys for Bob and published by Crystal Dynamics for the PlayStation, Sega Saturn, Microsoft Windows, N-Gage, [5] mobile and iOS. [4] Pandemonium! features Fargus, a joker, and Nikki, a sorceress, who unwittingly casts a spell that destroys the town. The goal of the game is to reach the ...
Hyrule Warriors: Age of Calamity, [a] released in Japan as Zelda Musō: Yakusai no Mokushiroku, [b] is a 2020 hack and slash game developed by Omega Force and published by Koei Tecmo in Japan and by Nintendo internationally for the Nintendo Switch.
Pandemonium 2 is a psychedelic 2.5D game; specifically, it renders characters and environments with polygons and uses a 3D camera to create the appearance of 3-D, while gameplay is actually on a 2-D plane. [3] Players can choose to be either Nikki or Fargus - who each have different specialties - with the option to change for each level. [3]
BlazBlue: Calamity Trigger (ブレイブルー カラミティ・トリガー) is a 2D fighting game developed by Arc System Works. The game's name is a combination of the words "blaze" and "blue" when the title is rendered in rōmaji , and of the words "brave" and "blue" when rendered in katakana .
Pandemonium is the ninth studio album by English post-punk band Killing Joke, released on 2 August 1994 by Butterfly Records. The album marked Killing Joke's return after a four-year hiatus, the longest the band had taken since it was founded.
The film was directed by Terry Miles and written by Leon Langford and Collin Watts. The film is produced by Tara Cowell-Plain and executive produced by Jack Nasser, Jacob Nasser, and Kimberley Wakefield.