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A fuzz-wah pedal is an effects unit containing both a fuzzbox and wah-wah pedal in series, allowing the user to distort ("wah") and use "fuzz" sounds as aesthetic effects on electric guitar or bass. They were developed to combine the sounds of psychedelic bands of the late 1960s–'70s.
The Big Muff Pi (π), often known simply as the Big Muff, is a "fuzzbox" effects pedal produced in New York City by the Electro-Harmonix company, along with their Russian sister company Sovtek, primarily for use with the electric guitar. It is used by bassists as well, due to the Big Muff's squeaky frequency response.
A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound. [59] [62] Fuzzboxes may contain frequency multiplier circuitry to achieve a harsh timbre by adding complex harmonics.
With a full-featured set of pre- and post-effects modules, customizable presets and a deep catalog of amplifier emulation available, Fender has made it pretty easy to sound however you want ...
Such effects units can use a preamp valve such as the 12AX7 in a power-valve circuit configuration (as in the Stephenson's Stage Hog), or use a conventional power valve, such as the EL84 (as in the H&K Crunch Master compact tabletop unit). However, because these are usually placed before the pre-amplifier in the signal chain, they contribute to ...
The first units were made in a simple stamped sheet metal box, painted grey, with a blue metal Univox sticker on the top. Around 1970 production was changed to a die-cast metal box, with a large pedal featuring a rubber cover that had the words "Super-Fuzz" embossed on it.
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
This led to tours of the UK and Europe and, in December that year, their debut album, Bostin' Steve Austin, was released (Geffen re-titled the album We've Got a Fuzzbox and We're Gonna Use It upon its US release). This album spawned the band's first Top 40 hit, "Love Is The Slug", and the minor hit "What's The Point".