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Christian Johann Heinrich Heine (/ ˈ h aɪ n ə /; German: [ˈhaɪnʁɪç ˈhaɪnə] ⓘ; born Harry Heine; 13 December 1797 – 17 February 1856) was a German poet, writer and literary critic. He is best known outside Germany for his early lyric poetry , which was set to music in the form of Lieder (art songs) by composers such as Robert ...
Winter landscape near Schmitten, Hesse. The opening of the poem is the first journey of Heinrich Heine to Germany since his emigration to France in 1831. However it is to be understood that this is an imaginary journey, not the actual journey which Heine made but a literary tour through various provinces of Germany for the purposes of his commentary.
"The Silesian Weavers" (also: Weaver-song) is a poem by Heinrich Heine written in 1844. It is exemplary of the political poetry of the Vormärz movement. It is about the misery of the Silesian weavers, who in 1844 ventured an uprising against exploitation and wage decreases, and thereby drew attention to the grievances originated in the context of industrialization.
Heine's Buch der Lieder is divided into five sections; all the poems set in Schwanengesang are from the third, Die Heimkehr (The Homecoming). In Schwanengesang, this song stands at the end of the Heine songs, although Heine's order is different and it has been argued that the sequence works better dramatically when the songs are performed in their order of appearance in the Buch der Lieder.
Dichterliebe, A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48).The texts for its 16 songs come from the Lyrisches Intermezzo by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder.
On Wings of Song" (German: "Auf Flügeln des Gesanges") is a poem by the German Romantic poet Heinrich Heine. It was published in Buch der Lieder in 1827. Musical settings
Pages in category "Poetry by Heinrich Heine" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. G. Germany. A ...
The poems became popular not only in England but also throughout Europe. In Russia translations of some of the poems were made by Mikhail Lermontov and others. The German poet Heinrich Heine wrote his Hebraïscher Melodien (named as a tribute to Byron's work) as the last section of his 1851 collection, Romanzero. [25]