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The Fitzpatrick scale has been criticized for its Eurocentric bias and insufficient representation of global skin color diversity. [9] The scale originally was developed for classifying "white skin" in response to solar radiation, [2] and initially included only four categories focused on white skin, with "brown" and "black" skin types (V and VI) added as an afterthought.
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1]
Krupuk kulit (Javanese: rambak; Sundanese: dorokdok; Minangkabau: karupuak jangek, lit. 'skin crackers') is a traditional Indonesian cattle skin krupuk (cracker). [2] It is traditionally made from the soft inner skin of cattle ( cow or water buffalo ) which is diced and sun-dried until it hardens and loses most of its water content.
Masak lemak lada api (Negeri Sembilan Malay: Masak lomak lado api or Saklomak; Jawi: ماسق لمق لاد اڤي), also known as gulai kuning (lit. ' yellow gulai ' ); is a Malaysian dish originating in the state of Negeri Sembilan .
Sobrat was the son of an aristocratic family. As a child, he delighted in the spectacles of the Balinese Wayang Kulit (shadow puppet performances). His grandfather, a well-known Wayang puppeteer, taught him to carve the rawhide puppets and familiarized him with the Hindu epics: the Ramayana and Mahabharata.
A Pua Kumbu in Sheepstor parish church, on Dartmoor.It was donated to the church by the people of Sarawak in memory of the White Rajahs. Textile from the Iban. Pua Kumbu is a traditional patterned multicolored ceremonial cotton cloth used by the Iban people in Sarawak, Malaysia.
White is a racial classification of people generally used for those of predominantly European ancestry.It is also a skin color specifier, although the definition can vary depending on context, nationality, ethnicity and point of view.
Wayang kulit (Javanese: ꦮꦪꦁꦏꦸꦭꦶꦠ꧀ (in the ngoko register)) [1] is a traditional form of shadow puppetry originally found in the cultures of Java and Bali in Indonesia. [2] In a wayang kulit performance, the puppet figures are rear-projected on a taut linen screen with a coconut oil (or electric) light.