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Chinese blue and white export porcelain, with European scene and French inscription "The Empire of virtue is established to the end of the Universe", Kangxi period, 1690–1700 Chinese export porcelain includes a wide range of Chinese porcelain that was made (almost) exclusively for export to Europe and later to North America between the 16th ...
Chinese blue-and-white ware were copied in Europe from the 16th century, with the faience blue-and-white technique called alla porcelana. Soon after the first experiments to reproduce the material of Chinese blue-and-white porcelain were made with Medici porcelain. These early works seem to be mixing influences from Islamic as well as Chinese ...
Early blue and white porcelain, c. 1351. The Mongol Yuan dynasty enforced the movement of artists of all sorts around the Mongol Empire, which in ceramics brought a major stylistic and technical influence from the Islamic world in the form of blue and white porcelain, with underglaze painting in cobalt.
Shiwan ware (Chinese: 石灣窯; pinyin: Shíwān yáo; Cantonese Jyutping: Sek6 waan1 jiu4) is Chinese pottery from kilns located in the Shiwanzhen Subdistrict of the provincial city of Foshan, near Guangzhou, Guangdong. It forms part of a larger group of wares from the coastal region known collectively as "Canton stonewares". [1]
Wucai plate, Chinese export porcelain, Kangxi period c. 1680 Painters' workshop at the Imperial Porcelain Manufactory in Vienna c. 1830 Porcelain painting in Weimar, Germany in 1989 China painting , or porcelain painting , [ a ] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues.
Two sancai-glazed horses and groom, c. 728, from the tomb of the general Liu Tingxun Painted cross-dressing woman playing polo. Tang dynasty tomb figures are pottery figures of people and animals made in the Tang dynasty of China (618–906) as grave goods to be placed in tombs.