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Shiwan figures functioned as the Chinese equivalent of English Staffordshire figurines. The human figures sometimes contrast flesh areas left in unglazed biscuit with glazed clothes and hair. Gestures and facial expressions are often dramatic. [ 7 ]
Early blue and white porcelain, c. 1351. The Mongol Yuan dynasty enforced the movement of artists of all sorts around the Mongol Empire, which in ceramics brought a major stylistic and technical influence from the Islamic world in the form of blue and white porcelain, with underglaze painting in cobalt.
The women are tall and slim, whereas by the mid-8th century a plumper figure had become the norm, with faces that are "fat, heavily brooding and vacuous". [44] It has been suggested that this change in taste was provoked by the famous imperial concubine Yang Guifei , who had a full figure, although it seems to begin by about 725, [ 45 ] when ...
Tang dynasty tomb figure, sancai horse, 7–8th century, also using blue, as on the saddle. Sancai (Chinese: 三 彩; pinyin: sāncǎi; lit. 'three colours') [1] is a versatile type of decoration on Chinese pottery and other painted pieces using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white.
Qingbai ware (Chinese: 青白; pinyin: qīngbái; lit. 'green-white') is a type of Chinese porcelain produced under the Song dynasty and Yuan dynasty, defined by the ceramic glaze used. [1] Qingbai ware is white with a blue-greenish tint, and is also referred to as Yingqing ("shadow green", although this name appears only to date from the 18th ...
The colours vary, and have been classified by Chinese authorities as "sky-blue", "pale-blue" and "egg-blue", in each case using the Chinese word qīng , which can cover both blue and green. [ 15 ] This "all-over" glazing technique seems to have been invented at the Ru kilns, and increased the resemblance of the wares to jade , [ 16 ] always the ...