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The song, as sung by the Corley Family (in a style that might be called "folk-primitive")can be heard on-line. [1] More recently it has been recorded by a number of different Gospel quartets, and it is still the theme song of the Stamps Quartet. A version of the song was recorded in 2000 by James Blackwood. [2]
The following is a list of works by P. D. Q. Bach, a fictitious Bach family member, the alter ego of composer Peter Schickele.The first section lists, in alphabetical order, those works which have been recorded, are listed in the annotated catalogue of P. D. Q. Bach music in The Definitive Biography of P.D.Q. Bach, and/or are listed on the Theodore Presser website.
Stamps and Baxter operated a music school which was the primary source of the thousands of gospel songs they published. Another major part of the corporation was its sponsorship of gospel quartets who sang the company's music in churches throughout the southern United States. At the end of World War II they were sponsoring 35 such quartets.
The Primitives returned to the studio with original producer Paul Sampson, recording the EP Never Kill a Secret, [2] featuring two original songs — the title track and "Rattle My Cage" — and two cover versions of lesser-known female-fronted songs — "Need All the Help I Can Get" (written by Lee Hazlewood and originally recorded by Suzi ...
In 1910 the song was published and introduced to the public with performances by the vaudeville quartet The Orpheus Comedy Four. After the group performed the song at a Woolworth store in Kansas City it became so popular that the store sold all 1,000 copies of the sheet music Taylor had brought with him.
Reissued by Neptune Music in 2001 as Buzz, Buzz, Buzz — — Thru the Flowers – The Anthology: Released: 13 September 2004; Label: Castle Music; Formats: 2xCD — — Buzz Buzz Buzz – The Complete Lazy Recordings: Released: 12 June 2006; Label: Castle Music; Formats: 2xCD — — Everything's Shining Bright – The Lazy Recordings 1985 ...
Lyrically, this political song is about demoting national government back to local tribal society. [1] Every choruses begin with 'Back to the Primitive', except for the first line of lyric Um, dois, treis, quatro ("one, two, three, four" in Portuguese) to begin the song, and verses containing just "primitive" per line.
The Golden Gate Jubilee Quartet spoke (or sermonized) the lyrics of the song against a rhythm of back-up vocals. It was a moderate hit in 1943. It was a moderate hit in 1943. It has since appeared on several compilation records, including Gospel Greats: 60 Legendary Performances (The Soho Collection, 2005).